I’ve been having fun painting animals lately. It seems like a good time for a then and now post on watercolor animals.
In January I painted this Elephant in my 8×10 inch watercolor sketchbook. I looked back through my notes to find that my Elephant below is painting number 289.
I recently painted this Giraffe on 9×12 inch Saunders watercolor paper. I’m so in love with this paper! I worked on a few giraffe sketches before I started painting and I think that made a difference. I am amazed that this is painting number 498! I’ve really been cruising along along this year, that makes me so happy.
I tried to work with the water and allow the color to mix and mingle as much as possible. The painting came together rather quickly and without much fuss. My second giraffe is the featured image on this post, she is more playful and is peeking out with those big eyes and long lovely lashes.
I hope you enjoy seeing my work and are inspired to keep painting, creating, and having fun. If you would like to receive notifications of new posts by email, simply click the follow button on the right. I would love to have you follow me on this journey.
This week I was back to painting birds and I decided to work on a white goose. I had fun using light shades of blue and purple for shadows and definition.
On this painting, I worked a bit larger using Arches 11×14 inch cold pressed watercolor paper. The roughness of this paper was a great help when it came time to add some texture to my goose.
Here is my goose without a background. I am so in love with how the bill turned out!
I decided to add a background to this painting after it dried. I always get nervous at this stage…Am I going to mess it up, what if I don’t like it after adding the background? Well, I threw those thoughts aside and continued anyway. Using similar colors, I tried to connect my goose to the background by blurring part of the neck and back area into the color of the background. After doing so, it still looked as if I had too much white paper, so I added a touch of blue for the sky and a blur of greens near the bottom to indicate a grassy area. I am happy that I added the background, I think it added more interest and fun.
Wet on Wet – Adding water to the paper first and then dropping in color while the paper is still wet. Using this technique, I like to have a tissue handy in case I want to lift out any color or lightly touch up an area.
Dry Brush – For adding some texture, I used straight pigment on a mostly dry brush and then dragged the side of my brush on the paper in the direction of the feathers or fur area.
I hope you enjoy my work and are inspired to keep painting and having fun. If you would like to receive notifications of new posts by email, just click the follow button on the right. I would love for you to follow me on this journey.
I am pretty excited, this week I launched my new website, pattyanneart.com. It is just a simple website where I can showcase some of my artwork. I hope to add to it over time and am sure it will evolve as I continue on this journey. If you get a chance to visit, any advice or feedback will be much appreciated.
I’ve been painting birds the last few weeks. Below is my first attempt at a Great Blue Crane. I used my new Daniel Smith Cobalt Teal Blue on this one. I just love that color! After painting the crane (and letting it dry), I wet the sky area with water here and there and then dropped in some color. I tried to not touch the area much and just dragged my brush around a bit for some clouds. I really like how that worked out.
I also painted this cute little Blue Bird. I love the fluffy feathers on his chest!
Tips on painting branches:
Branches that are closer should have more detail than those further away.
Branches are thicker near the tree trunk and slim out as they get further away.
Color mix: I use Daniel Smith Aquamarine Blue and Burnt Sienna Light (using different amounts of each color for a variety of shades).
I hope you enjoy my work and are inspired to keep painting and having fun. If you would like to receive notifications of new posts by email, just click the follow button on the right. I would love to have you follow me on this journey.
You can also see more of my work on Instagram If you get a chance to check out my new website, let me know what you think: PattyAnneArt
Ahh, those fluffy feathers! I have been having fun this week painting birds. In my last post I shared with you my first Pink Flamingo that I painted in my 7×10 inch watercolor sketchbook. I decided to try it again but paint larger and use a few different techniques. When working on smalls, I think I tighten up a bit so I decided to go with a 9×12 inch painting on this one.
I started out with a sketch in pencil to get my shape and placement. Remember that the positioning (and size) of the head, eye and beak are all very important. For feathers, I start with light color and work up to bolder colors. When working on the small detail of the eye, I use either a small rigger, liner, or round brush. I used my new Princeton round #2 brush this time. I really love that brush!!
Below is an in progress view of my feathered friend.
When the paint was damp, I tossed a little regular table salt on the neck and body area. Later when it was completely dry, I dusted off the salt. I was hoping it would give me some nice texture and an interesting look. I really like the results I got using the salt.
I also tried to use some expressive brush strokes with my larger round brush for the body feathers and used different shades of pink mixed with just a touch of red and orange here and there. I moved the brush around loosely pulling it in the direction that the feathers would be on the body.
While the painting was still damp I spattered some paint on it. I tried using a toothbrush as I’ve seen others demonstrate but I always seem to have trouble getting that spatter where I want it. I ended up using my round brush loaded with juicy color and then tapped it here and there over the painting, that worked for me.
This is the final painting below.
I hope you enjoy seeing my work and are inspired to keep painting and having fun. If you would like to receive notifications of new posts by email, simple click the follow button on the right. I would love to have you follow me on this journey!
I painted my parent’s cute little dog this week. He is a Morkie, a Maltese and Yorkshire terrier mix. I lightly sketched his placement on the paper and was surprised at how quickly the painting came together.
I took a few pictures as I was painting and I could see the pup coming to life on the paper. I thought it would be fun to share the process with you in this post.
The eyes are painted first and then a few spots of color here and there to clearly define the overall shape so that I don’t get lost while painting.
Then adding more paint to define the face and ears while trying not to over do it.
Continuing on with more definition and finally some background color using Daniel Smith Phthalo Blue (one of my favorite colors!). Below is the finished painting on Canson Watercolor paper.
What are your favorite paints and colors? I would love to hear from you.
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