Ink and watercolor, I love that combination. I have an Owl painting to share with you today. My painting was inspired by a beautiful photo of a Great Horned Owl on pexels.com.
I was attracted to the big bright eyes of this Owl and tried make sure they really popped in this painting. I started off with a light pencil sketch of the eyes and beak making sure to get the proper placement and distance between them. As I’ve noted before, this is a key step for me before diving in.
Watercolor Tip: Always make sure that the eyes are dark enough, don’t be shy with color here. It is also important to leave a few white spots for where the light hits the eyes.
Owl ink and watercolor painted on 9 x 12 inch Stillman & Birn Beta sketchbook
As I was painting, I remembered to use a light touch and tried to make all of my ink and paint markings in the same direction as the feathers on the Owl. I love the prominent feathered tufts on his head, a cute and wild hairdo. ❤
I plan to work on another Owl sometime in the future, there is so much to learn and improve upon. It was a lot of fun, quite a Hoot!
I hope you enjoy seeing my work and are inspired to keep painting, creating, and having fun. If you would like to receive notifications of new posts by email, simply click the follow button. I would love to have you join me on this creative journey.
Until next time, enjoy yourself and love “hoo” you are! 🙂
I have a fun ink and watercolor Tulip to share with you today.
Fellow blogger and talented artist, Jill Kuhn, recently posted a beautiful ink Tulip. I was inspired by Jill’s lovely art and decided to sketch a Tulip and give Zentangle a try. It was fun creating different designs and patterns all over the flower and leaves. I added a splash of watercolor at the end to brighten things up. I’m really happy with the end result. 🙂
I’ve been working on a few simple landscape paintings. I used similar color combinations for my distant trees in each painting and have 3 very different results to share with you today. Oh, and lots of blue. 🙂
My first step on any landscape painting is thinking about where I want the horizon to be. Once I decide how much space I want to reserve for the sky, I lightly draw a line for the horizon using a pencil and ruler. With the horizon line in place, it is easier for me to visualize the big shapes in the painting.
Using the wet on wet technique, I tried to indicate some distant trees. When the wet paint hits the damp paper, it creates color blooms on the paper. It is so much fun to watch this happen!
I tried to keep things simple and not overwork my landscape paintings. I had to remind myself before starting each one, no fussing allowed. Hopefully that will get easier with more practice.
Indigo worked well in this painting. I am very pleased with the addition of the foreground here, it seemed to balance things out. Although I like the other paintings below, this one is probably my favorite because I’m pulled in and feel something.
I really like the varied tree shapes in this one. The bits of white paper beneath the trees in the center area worked well. I need to remember that for future landscape paintings.
This abstract landscape is very different from my usual style of painting. I love the blooms of color in this painting. ❤ The granulating effect of the French Ultramarine Blue is quite interesting.
I hope you enjoyed this simple landscape series.
Thank you for stopping by and following along. Until next time, create some art and do something you love. Hope your week is awesome. 🙂