Today I have 3 paintings inspired by watercolor artist, Jean Haines.
No sketching, just paint on paper.
Big shapes and lots of juicy color.
Trying to simply enjoy the painting process and play with color. ❤
The petals were painted with different shades of red. I dropped in more color here and there, big strokes and no fussing. While the petals were still wet, I painted the center of each flower blue. I encouraged the paint in the center of each flower to mingle with the petals by tilting the paper and also touching the center edge of the wet red petals with the blue paint.
A little clean water helped soften and ruffle the outer edges. I like how that turned out.
I connected the flowers in each painting by simply pulling a little red paint from flower to flower.
Each 6 x 9 inch painting came together quickly. It was fun to paint the same thing a few times in a row. I found that I learned a little something new with each painting.
I hope you enjoy seeing my work and are inspired to create art and do something you love. The Erin Hanson quote below inspires me, I hope it inspires you as well…
What if I fall?
Oh, but my darling, what if you fly?
Thank you for stopping by and following along. Until next time, have a great week. 🙂
A Spring inspired post for you today with a few watercolor tulips.
Tulips make me a happy girl. ❤ I hope you enjoy them as well . 🙂
Soft Pink Tulip painted on 6 x 9 inch Bee paper.
I love the ruffled petals. When working on the background, I decided to also ruffle the edge of the background colors a bit. I really like how that worked out.
Bright Pink Tulips painted on 6 x 9 inch Bee paper.
The greens and bright pinks work well together. I love that combination.
To create the soft distant tulips, I used the wet on wet technique. I simply wet the paper first with clean water and then while the paper was still wet, painted the general shape of tulips with a wet brush loaded with color. Then I continued dropping in more color to build up different areas.
– Build up color from light to dark
– Always have a tissue handy for those times when you drop too much color or too much water on your paper
– Mix it up and try something different
maybe a bold color, different brush, different paper, or an unusual color choice
I hope you are inspired to create art and do something you love. Thank you for stopping by and following along. Until next time, have a great week. 🙂
Ink and watercolor, I love that combination. I have an Owl painting to share with you today. My painting was inspired by a beautiful photo of a Great Horned Owl on pexels.com.
I was attracted to the big bright eyes of this Owl and tried make sure they really popped in this painting. I started off with a light pencil sketch of the eyes and beak making sure to get the proper placement and distance between them. As I’ve noted before, this is a key step for me before diving in.
Watercolor Tip: Always make sure that the eyes are dark enough, don’t be shy with color here. It is also important to leave a few white spots for where the light hits the eyes.
Owl ink and watercolor painted on 9 x 12 inch Stillman & Birn Beta sketchbook
As I was painting, I remembered to use a light touch and tried to make all of my ink and paint markings in the same direction as the feathers on the Owl. I love the prominent feathered tufts on his head, a cute and wild hairdo. ❤
I plan to work on another Owl sometime in the future, there is so much to learn and improve upon. It was a lot of fun, quite a Hoot!
I hope you enjoy seeing my work and are inspired to keep painting, creating, and having fun. If you would like to receive notifications of new posts by email, simply click the follow button. I would love to have you join me on this creative journey.
Until next time, enjoy yourself and love “hoo” you are! 🙂
I’ve been working on a few simple landscape paintings. I used similar color combinations for my distant trees in each painting and have 3 very different results to share with you today. Oh, and lots of blue. 🙂
My first step on any landscape painting is thinking about where I want the horizon to be. Once I decide how much space I want to reserve for the sky, I lightly draw a line for the horizon using a pencil and ruler. With the horizon line in place, it is easier for me to visualize the big shapes in the painting.
Using the wet on wet technique, I tried to indicate some distant trees. When the wet paint hits the damp paper, it creates color blooms on the paper. It is so much fun to watch this happen!
I tried to keep things simple and not overwork my landscape paintings. I had to remind myself before starting each one, no fussing allowed. Hopefully that will get easier with more practice.
Indigo worked well in this painting. I am very pleased with the addition of the foreground here, it seemed to balance things out. Although I like the other paintings below, this one is probably my favorite because I’m pulled in and feel something.
I really like the varied tree shapes in this one. The bits of white paper beneath the trees in the center area worked well. I need to remember that for future landscape paintings.
This abstract landscape is very different from my usual style of painting. I love the blooms of color in this painting. ❤ The granulating effect of the French Ultramarine Blue is quite interesting.
I hope you enjoyed this simple landscape series.
Thank you for stopping by and following along. Until next time, create some art and do something you love. Hope your week is awesome. 🙂